Sunday, September 24, 2023

History of Watch Advertising

 Interesting article in Europa Star magazine on the history of watch advertising. We start in 1900 and end in 1989. The article goes further than this, all the way to 2023. But my interest pretty much ends with 1989.

1900 saw the emergence of wrist watches to a skeptical public. Why wear a watch on your arm, exposing it to shocks and the vagaries of the weather, when you can rely on a tried and tested, well-protected pocket watch? Consequently, the pocket watch maintained its market dominance.


But the rise of the wristwatch was unstoppable, punctuated by World War I, which rendered the pocket watch impractical. Also, events bolstered the wrist watch's image. The Swiss Fair in Geneva (1920), the Paris Exhibition (1925 – famously known as the birthplace of the Art Deco style), and the Universal Exhibition in Barcelona (1929) celebrated the fusion of technology and artistry jewelry and made the wristwatch an acceptable timekeeper for men. Athletes, explorers, aviators, and show business stars.



1930-1939

The watchmaking industry reacted to the Great Depression of the early 1930s with remarkable inventiveness.  The first effective shock-proof device (Incabloc) and models with “armored” cases dispelled the remaining notions about the fragility of wristwatches. Rolex combined the Perpetual automatic movement with its waterproof Oyster case; Mimo introduced a model with a digital date display; and Breitling launched the two-pusher chronograph.

1940-1949

The first half of the decade was impacted by the war. The demand for precision instruments from all countries in conflict provided a significant boost to the Swiss watchmaking industry, which, despite supply challenges, accounted for one-third of national exports and 86% of the global market. Manufacturing focused on products suitable for military use, and advertising reflected this, while emphasizing that robustness and reliability were equally important in civilian life.




1950 - 1959

The “tool watch” graced the wrists of explorers, mountaineers, pilots and divers as they shattered records of all kinds. Feats such as expeditions to Mount Everest and descents into the depths in the bathyscaphe Trieste captivated the public’s attention and imagination. Manufacturers recognized the commercial potential of these events and advertised tool watches tailored to those who aspired to emulate the heroes of the moment. The burgeoning popularity of scuba diving spurred the production of timepieces resistant to water pressure (Rolex, Blancpain). Pilots and air travelers could rely on models boasting dual time zones, world time, and calculation functions (Breitling, Movado, Tissot). There were watches for fishermen (Heuer), hikers (Sandoz) and professionals or, more modestly, folks who just wanted a watch suited an active lifestyle.

1960-1969

The watch of the space age”: that was how Bulova introduced the Accutron, which used a tuning fork instead of a balance wheel as its regulating organ, kicking off the electronics revolution.

While its role in NASA missions was limited to being an on-board timer, the more traditional Omega Speedmaster – a mechanical chronograph – handled the harsh conditions of outer space. The Speedmaster became a bestseller, partly thanks to ads that highlighted its connection to the astronauts’ adventures.


1970-1979

In April 1970, the quartz wristwatch arrived in Switzerland. No fewer than 21 models were unveiled simultaneously, all powered by the Beta 21 movement from the Centre Electronique Horloger.

Initially, the revolution appeared to be purely technological, as the prices of these watches were comparable to luxury products. However, within a few short years, the cost of electronic modules plummeted, triggering a race to the bottom in which Japan and Hong Kong were the clear front runners.

1980-1989

Swatch: the name alone evokes not just a manufacturing and aesthetic revolution, but also a commercial and lifestyle phenomenon, the rebirth of the Swiss watch industry after years of struggle, and new, creative, non-conformist communication methods.

The enormous yellow watch stretched across a Frankfurt skyscraper’s façade, the vibrant and playful advertising, and the association with youth-centered events like the World Breakdance Championship.





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